12/1/2023 0 Comments Editready for pc![]() ![]() I wonder, at this point instead of converting in mores 422 files with edit ready I should do as before, ie with final cut pro x tick the "create optimize media" option and let it come also copied to the library, although I will have many GB in the end no matter since I use a 1Tb HD. However AVCHD is only 1080 resolution and normally 1080p is not that difficult but lack of Quick Sync due to using a Hackintosh could be an additional slowdown factor. Thus the on-chip GPU must normally be disabled in the BIOS which also disables Quick Sync.ĪVCHD is a form of H264 and without Quick Sync all encode/decode must be done in software. This is because Hackintoshes can normally not switch dynamically from the on-chip GPU (where Quick Sync is implemented) to the external GPU. (2) You are using a Hackintosh which usually do not have Quick Sync capability - regardless of CPU. The performance issue scales upward with library size so with small libraries it might not be noticed but with increasing size it rapidly becomes apparent. If all you have left are the bare MTS files I'd suggest re-wrapping them externally before import using EditReady: If you have already imported bare MTS files with "leave files in place" those must be removed and properly re-imported, otherwise it will always be slow, even if the MTS files are only a small % of the overall content. Usually performance is good when using that method, although it takes more space due to the file copy. When importing that way, it will not allow "leave files in place" but will copy and re-wrap (not transcode) those those files to the library. (1) If you are dealing with bare MTS files, IOW files which have been removed from the AVCHD package and imported with "leave files in place", that may cause severe performance problems due to how FCPX handles the I/O.ĪVCHD material should *always* be imported from the folder tree, in which case you normally don't see the bare. If you’re using ISG, or need to drive EditReady from the command line, with access to EditReady’s wide RAW camera support and robust clip spanning, metadata retrieval, and more, please get in contact with them.Can you work on projects with native AVCHD MTS files to create 1-hour videos without converting to pro-res?. EditReady Server integrates perfectly with Iconik’s Storage Gateway (ISG), making it the most affordable and easiest-to-use automated ingest solution for iconik. ![]() It’s meant for use in headless workflows like automated ingest, proxy generation for asset managers, and more. ![]() Lastly, the team is also pre-releasing a new EditReady Server. PriceĮditReady has a lot more planned for 2023, and they are excited that a Pro tier opens up the possibility of adding some of the recurring feature requests that they have been wanting to build for a long time.Īs with Hedge Pro, upgrading an existing EditReady license is easy and affordable. This allows you to make high-speed proxies quickly and easily. It also supports playback and transcoding of Phantom files to ProRes or DNxHD with the push of a button. EditReady Pro 22.4 which is available from today will support Phantom CineRAW. ![]() The brand-new EditReady Pro will focus on niche camera support and using EditReady as part of multi-app workflows. RED Anamorphic Support & ARRIRAW Speed ImprovementsĮditReady has also added RED anamorphic support, improved the stability and speed of ARRIRAW playback and transcodes, and added 100p to the retiming tool. This is a pretty cool feature and one that is bound to make a lot of editors’ lives a whole lot easier. If you get footage from a DSLR or mirrorless stills cam that doesn’t write timecode, you can now fake a time of day timecode track by using the file’s creation date. PLUS Phantom CineRAW with the new EditReady ProĮditReady 22.4 adds the often-requested option to map file creation dates to timecode metadata.Improved ARRIRAW playback and transcodes. ![]()
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